Tuesday, 24 May 2016
Occasionally I get an urge to make jewellery with my beads. I often feel bad about this because a while back some delightful Facebook commenter told me I should stick to making beads and leave the jewellery-making to other people. Wasn't that so very lovely of her? Yeah yeah, love, I know the jewellery I make is the basic-looking, plain-strung, unfancy, not silversmithed, no PMC, no clever knotting, no additional stones or crystals or whatever kind of jewellery, but I make the sort of jewellery that I like to wear, and I have always loved wearing simple and unfussy jewellery, OK?
*clambers 'pon soapbox*
Seriously, people need to think twice before giving unsolicited advice, or passing 'helpful' throwaway comments on the work created by craftspeople and makers. Whatever you think of it, that person has made something with their hands and their heart and they've had the balls to put it out there for the world to see, and therefore judge. Unless the maker is asking for advice or a critique on their work, people shouldn't give them negative feedback. If you have nothing nice or encouraging to say to someone about what they've made, hush up and move on. The brains of creative people are often weird things and they can be pretty flipping sensitive and over-analytical, making their owners doubt themselves and their abilities. Creativity is easily damaged or affected by thoughtless words, including ones about pricing.
*gets off soapbox*
Anyway, I pushed that commenter's words aside in my brain and this weekend I let myself make a couple of bracelets.
For some reason I made even more of those spotty red lentils (I think I'm just in love with their redness) so I decided to turn some of them into a bracelet and matching earrings.
I also made some little 9mm diameter spacer beads in sea glass colours of pale aqua, pale green and clear.
I used hair-fine grey stringer to wrap each one with a trail of glass. The beads were then tumble-etched to a satin finish before I turned them into a bracelet.
All of these pieces are currently in my shop.
Sorry to have got a bit ranty on you there. I didn't intend to. I only sat down to write a blog post to show you my jewellery but I let my fingers type out the festering irkedness I had in my brain about the whole jewellery making thing. Ah well, better out than in and all that.
May your Tuesday be as sunshiny as the one I'm currently experiencing here. I think I'm going to mow the lawn, carefully avoiding the wild strawberries I mentioned in my last post.
I've been reading about how to transplant wild strawberries into pots so I might give that a go too. *Carol Klein face*
Have a good rest of the day!
Saturday, 21 May 2016
Oh knickers! That's a big gap to have left betwixt blog posts. I shan't try and fill you in on everything that's happened between then and now as that would be highly boring for both of us, so I'll just skip through some highlights using the medium of photo-plus-caption. Ready? Here we go...
|Chris had a birthday that made his age start with a '4'|
|It was a very warm day and the greenhouses were mighty hot. See how this tendril dangles and curls.|
|This crazy-beautiful Jade Vine looks like something out of Avatar|
|Jade Vine close-up. Definitely a match for Effetre Light Turquoise 232.|
|I finished up the last of the Bumblebead orders. Are they whooping for joy, whistling, or horrified at the bead cleaning process they'd just endured? You decide.|
|Finishing bee beads meant I could faff about so I made Whirly-Go-Rounds with a finer 'whirl' than usual|
|And then I entered my bead happy place and pulled a load of white stringer and made 'Rococo' beads that I'd not made for eight years|
|I offered the option of tumble-etching on the 'Rococo' beads and everyone opted for it. Behold their satin silkiness.|
|When I made this set I 'designed' them to be etched, layering two transparent shades to achieve a pretty 'glow'|
|After the 'Rococo' beads were done I had a desk full of stringer scraps, so I used it for spots on little lentils made in one of my favourite glasses - CiM Sepia Unique 2|
|I still had a load of stringer bits left so I made more spotty lentils, this time in glorious transparent red|
And that, dear patient person reading this, brings you up to date with my goings-on.
The Cambridge University Botanic Garden really is great and I'll definitely be going back there soon. It's so relaxing and it makes you feel like you're a million miles away from the bustle of the town centre. (I sound like Judith Chalmers.) (I've just Googled Judith Chalmers to find out if she's still alive. She is and she's eighty, you know. Go Judith!)
If you'd like to see more of the flower photos I took at the Botanic Garden, you can see them on my personal Instagram feed.
Stuff is also happening in my own garden. Things are growing, especially daisies and dandelions, but I don't mind them. I hate that weeds have a bad name. They're lovely little things and the bees seem to like them, especially the dandelions.
|Dandelion clock, taken with my iPhone 6s and Olloclip macro lens|
I've got some strawberry plants that have appeared too. I'm assuming a bird 'planted' them via the act of plappage (yes, I mean poo) as they are down by the fence and I definitely didn't plant them. Cheers, bird! I'm growing chillies, munchkin pumpkins, micro sunflowers and catnip in a little plastic greenhouse and they're all coming along nicely. Maybe I'll do a garden-based blog post. That won't be at all boring for you, will it?
I'm off to make beads now, I've still got a bazillion scraps of white stringer to use up. Will I use them or will I bin them? We shall see...
If you like the spotty red lentils, I have four pairs of them left in my shop. They're £4.00 a pair and if satin-finish glass is your bag I can etch them for you at no extra cost. I've also reduced the price of all remaining jewellery so you might be able to grab yourself a wearable glass bargain.
For full details of all glasses used for the beads in this post, please have a look at my Tumblr.
Have a super duper Saturday!
Saturday, 30 April 2016
This week has mainly been about the Return of the Bumblebeads. I hadn't made any for a while because the CiM Hollandaise glass I used to use for them is now pretty much extinct. This new wave of Bumblebeads are made in CiM Goldenrod.
I've made the Bumblebeads available to order for a short time. They're £5.00 each and can be purchased here.
Speaking of extinct glass, remember I mentioned I was recently given the gift of some assorted glass? Well, some of that was Z-99 Purple Rose Special - a rare, beautiful, no-longer-produced glass by Zimmerman. I did a bit of a Google and discovered that it's highly sought-after (I know, I'm a very lucky beadmaker) and I also realised that I've had a jar of it as frit sat in my drawer for about a decade.
See? This is what I get for being a bead hermit and not interacting with other lampworkers. If I did, I'd have known about this sooner. I'm working on that, by the way. I've joined a few Facebook lampwork groups and am being more 'social' which is something that I struggle with. But anyway, yes, I had a play with my Z-99 frit and some Effetre Opal Yellow and made these 'Painted Sunset' beads.
A friend told me these remind her of Edvard Munch's The Scream. These have sold already but I will be making more, both for my Edvard-loving friend and for sale, so keep an eye out for some next week.
In non-beady news, my garden is starting to do stuff. Seeds are sprouting and there are tiny green leaves appearing in pots and tubs. I think I might have planted the world's slowest-growing tulip bulbs but they've finally flowered this week.
|Tulip from the Sarah Raven 'Brandy Snap' collection|
Food-wise this week, I have rediscovered the joy that is sardines on toast. Simple pleasures. Whenever Mum used to make herself sardines on toast she'd always do an extra slice because she knew I'd be there, hovering around unable to resist the toasted fish deliciousness.
I've been pescatarian/pescetarian (choose whichever spelling you prefer) since October last year. This is mainly for health reasons - I have one large gallstone that measures about an inch in diameter. I call him Trevor (as in Trevor Bolder, as in Spiders From Mars, as in 'boulder', as in large rock) and it would appear that I've had him for many many years. Because I have just the one stone my gallbladder only really plays up if I overdo the saturated fat, so Trevor keeps me in check diet-wise. I could have my gallbladder removed but I've not had an attack since September and I don't really want surgery (and I know it's a doddle of an operation, but still, I'd like to avoid surgery if I can) so for the time being I'm happy to control it with diet. Cutting out all meat except fish has really helped and I'm totally surprised to find that I'm not missing meat in the slightest and no, not even bacon. I can't eat eggs, though. Eggs are Trevor's nemesis. They're okay if they're in something, but pure egg, or an egg-centric dish like quiche, is out. Oh, the pain! I'm fully aware that I've become the annoying person who people dread feeding but seeing as how I hardly ever eat at anyone else's house, it's not really a problem. I don't do meat substitutes, though. Quorn and fake meats can do one. I don't understand the logic behind that stuff in the slightest.
Television-wise, oh my word, did you see the Line of Duty finale? Blimey me. I flipping love that show and I will miss its drama and twists and turns on Thursday nights.
|(Photo via world-productions.com)|
Ted Hastings needs his own show, Steve Arnott is so good at being not-Scottish, Kate Fleming is my new ladyhero and I think I might fancy Matthew 'Dot' Cottan. If you've never seen Line of Duty, go back and watch all three series and enjoy.
After Thursday night's police telly drama, Chris and I went to a midnight screening of Captain America: Civil War. It was SO good! We saw it in 3D, which I'm normally underwhelmed by, but the 3D-ness of this film was spectacular.
Right, after all that waffle I'm off to pack up some beads for posting. Have a great weekend, and fellow British people, if you have Monday off work, enjoy this extended weekend. Right now the sun is shining but seeing as we've had all the weather flavours this week, including snow, who knows what this weekend has in store for us?
Have a good'un!
Sunday, 24 April 2016
Remember those Striped Pink beads I made that were more purple than pink? Well, a friend gave me a tip-off that Tuffnell Glass had Striped Pink glass for sale at last weekend's Flame Off. I was all "YES!" and it wasn't listed on their site so I emailed Martin and asked if I could get in on that Striped Pink goodness and by Friday I was the excited owner of ten rods of the stuff.
Except what I stupidly forgot to factor in was Effetre's ever-varying glass production. Those magical glass conjurers work in mysterious ways and there's a reason why odd-lots are odd-lots. They just can't reproduce glass one hundred percent perfectly all the time and I totally understand that; I can't perfectly reproduce beads (one of the reasons I don't do remakes) because this glass malarkey is not an exact science and there are so many variables which make consistent results really difficult to achieve. Some glasses vary from batch to batch. For example, batches of Opal Yellow, EDP and Rubino seem to be affected by what phase the moon was in and what colour pants and socks the Effetre warlocks were wearing on the day the glass was made.
The first thing I noticed about my new Striped Pink was its colour. I only had one rod of it to play with last time and that rod was more purple. The one I got the other day is way more pink.
|The newer (to me) Striped Pink is on the left. See? Much pinker.|
Clearly these rods were from two different batches. Same basic principle, though. Something EDPish with a core of most-probably-Rubino.
When heated, the pinker rod goes the most gorgeously rich pink with subtle hints of the stunning purple that was present in the rod I used last time.
I made plain spacer beads again; I think you would struggle to do anything else with this glass due to its devitrifying nature. With the previous Striped Pink, I wound the bead, heated it, rounded it up and stuck it in the kiln. With this one, I wound the glass on and the result was a pale grey-pink bead in need of striking. I waited a good few seconds and reheated the bead in the cool part of the flame, working from one hole to the other and then back again, heating out any devit that had occurred, then stuck it in the kiln. The result is something that actually is striped pink.
I ended up with beads that are pale pink around the holes (*Tim from The Office style glance to camera*) blending into purple-pink, with a band of delicious, blushing, almost Barbie pink around their centres.
Pretty, huh? The effect is reminiscent of what you can achieve with Reichenbach Purple Rose, but in a more pink way, if that makes any sense.
So, having Googled about and glass-faffed, I'm assuming that Effetre made more than one batch of Striped Pink 253 and that I've been fortunate enough to play with two versions of it. The version Tuffnell Glass currently has is nothing like the one that I showed you last time. That was much more purple and it did that gorgeous pink-glowing thing. This one makes beads that are more opaque. You do get a hint of the pink glow when held up to strong light but not to the extent that you do with the more purple version.
I'm more than happy to have this pinker Striped Pink 253 in my stashette. It makes gorgeous spacers and I reckon I can feel a bracelet-o-pink coming on.
You can grab some of this Striped Pink for yourself over at Tuffnell Glass.
My previous, more purple Striped Pink posts can be found here and here.
Wednesday, 20 April 2016
I bought a couple of bunches of daffodils on Saturday and I was expecting them to be bog standard, all-yellow, classic daffodils, but when they opened they had pale yellow petals and deep orange trumpets. Pretty!
I took a few photos of them using my Olloclip macro lenses.
There was a tiny little fly inside one of the daffodils.
I also took a photo of a bright yellow dandelion on the lawn.
|Reminds me of fire|
Then while I was putting glass rods away I found a rod of yellow Creation is Messy glass from a couple of testing bundles back. I don't quite know why I never got around to testing it, but I thought I'd give it a go because I need a new yellow for my Bumblebeads. I used to use CiM Hollandaise for them but that is long gone now, so this bee, the flowers and the yellow spacers in this set are made with CiM Goldenrod.
Goldenrod is a touch brighter than Hollandaise, which was a bit more mustard with a tad more orange about it. Goldenrod is a very yellow yellow, but not in an acid yellow kind of way. It's just a bright, happy yellow. It works well for my Bumblebeads as it's not streaky. Some opaque yellows get transparent streaks in them but Goldenrod is a nice 'flat' yellow. I've ordered some more so I can make a few more bees.
Sunday, 17 April 2016
This past week I've been having fun making beads that would usually be considered as 'beginner' beads. By that I mean that they are beads that are presented in instructional lampwork books as 'basic' beads. The majority of lampworkers have either made beads like these or know how they are made. They're sort of classic lampwork bead staples, I guess.
However, just because something is 'basic', it doesn't mean that it is easy to make.
Take twisties, for example. These thin decorative canes of glass are created by twisting together two or more colours or types of hot glass. Sounds straightforward in theory but in reality it's a tricky skill to learn. Twisties are almost always held up as beginner things that every beadmaker should be able to do with their eyes closed. Personally, I've always struggled with them. I can do them, when I'm in the right frame of mind for them, but I never approach the twisty-making process with glee.
You can used twisted cane as a surface decoration or you can use it as I have to make striped beads. To make the bead above (and the 'Andy Pandy' ones at the top of this post) I made a disc-shaped bead, wrapped a twisty around it and then encased it with a narrow, tall wrap of clear glass, as opposed to full coverage hole-to-hole (*coughs*) encasing. As the encasing layer melts down and outwards towards the bead holes, it drags the twisty with it, pulling and stretching it widthways into thinner stripes of colour. Groovy!
The effect is even groovier when you use a twisty that is made from a mix of opaque and transparent glass.
The 'pleat' bead above was made with a white, amber and amethyst one, on an amethyst base.
The whole encasing-pushing-and-stretching-the-pattern thing can also be used over dots to make them into stripes, triangles and petal shapes.
All of the beads in the 'Peacock' set above started life as tiny base beads decorated with layers of opaque and transparent dots in various formations, before being finished with a layer of encasing that distorted those patterns.
So why am I making 'basic' beads and banging on about them here? Several reasons:
- Sometimes it's just nice to revisit old techniques that you've not played with for years
- They're a great way to showcase colour and rad colour combinations
- You can combine new knowledge with old techniques to create something fresh and new
- As a teacher, I have to refresh and jog my beadmaking muscle memory on a regular basis
- Because they're fun to make
I think sometimes us creative people can feel bad about doing basic stuff. We often feel like we should be constantly evolving and pushing ourselves and creating wonders and masterpieces. Well, I do anyway. (This is partly because years ago someone charming called my beads "Nothing but practice warm-up beads", but I'll not dwell on that here even though I hear those words in my head on an almost daily basis.) And I'm not just talking about beads. Sometimes I feel like a crud knitter for making a garter stitch scarf instead of a five chart, laceweight shawl the size of Brazil, or a boring unadventurous baker for baking plain fairy cakes with just cherries in and no icing on top instead of a seven layer salted caramel and chocolate cake topped with caramelised hazelnuts and handcrafted sugar paste squirrels. But you know what? There's nothing wrong with basic beads, plain garter stitch scarves or cherry fairy cakes because when they're done well, they're flipping fantastic.
In short, make what you want to make and what you enjoy making, rather than what you think others expect you to make.
That last sentiment is one that I personally need to tattoo on my brain. (Sometimes this blog is useful for giving myself a good talking to, if nothing else.)
Wednesday, 13 April 2016
I've not got a whole lot to say, but I do have some beads to show you. First up are the groovy '70s Wallpaper' ones above. I'm pretty sure these were subconsciously influenced by HBO's Vinyl. I flipping love that show so much.
Then there are these 'Aquathyst' (aqua and amethyst) ones...
I reckon if these had a smell, they would whiff of things from Lush. I know that sounds bizarre but to me they look like they should smell of shower gel or bubble bath or something.
And lastly, I have the 'Garland' jewellery back from Making Jewellery.